My First Piece.
I started by using a "duel" technique.
Steps:
If you find the center of each of the small lizards and place a dot in the same location on each of them. For me I used the top of the back right before the the neck started to turn to the head. Once you have all the locations found, I connected each dot to its neighbor. This formed a series of triangles over the whole paper. I could tell there was a pattern starting.
For it to be "duel" you repeat the process only using the shapes your found from the first step. I took the center of each of the triangles and connected those dots to one another. When I did this last step, I used patty paper over top or the original pictire. Below is my result.
It turns out the figure behind the lizards is an octagon and a rhombus. He used this general out line for the design of his picture.
I was very excited to see this work. With my excitement I decided to show my advanced class to students the Escher piece. There enthusiasm was greater than the experience with the Euler Line (see blog post "The Great Result"). When I showed the student the work I showed them another piece I was working on with Geogebra the same way. Geogebra of Echer's Work
This piece took me quite some time to look over. I had about three of four different trials. I don't know if this is even the right path, but it seems to work well.
Analyzing the Angels and Demons picture on Geogebra. It woks perfectly until you get to the rhombus' and then there are more dots on the paper than are used to make the figures. Also the figures are not as regular polygon as I would think they should be.
The new insight gained from these pictures gave me an appreciation for his work. I will continue to explore some additional art of M.C. Escher.
I never thought about how Escher came up with his patterns. I really just enjoyed them. It's nice to know that I can now create patterns like Escher. Still have to say that this one is my favorite though http://search.yahoo.com/search;_ylt=As05O2TEIMD.ds3rpBDkvzubvZx4?p=escher+15+horsemen&toggle=1&cop=mss&ei=UTF-8&fr=yfp-t-900
ReplyDeleteTrevor, thanks for your post and your pictures. This was a different direction than I took last week, so it was neat to see your pictures and hear about your process in analyzing a piece of Escher's art. His work is fascinating and sometimes a bit overwhelming. I think I'll have to try your dual approach. It's amazing how such a detailed and intricate picture can start with a simple tessellation!
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